Class of 245

Meet the artists of gm245

Australia

Joan & the Giants are an Australian indie-pop band from Perth, led by vocalist Grace Newton-Wordsworth alongside Aaron Birch, Riley Sutton and Liam Olsen. Emerging from Western Australia’s vibrant independent music scene, the group have developed a sound built around heartfelt songwriting, soaring melodies and an appealing blend of indie pop and alternative influences. Their music frequently explores relationships, identity and the emotional uncertainties of young adulthood, with Grace’s expressive vocals providing its focal point. Having steadily built their reputation through releases and live performances at home in Australia, the four-piece are now heading somewhere entirely new: Global Music 245 will mark their debut in the contest.

Most newcomers need a reason to take the leap. Joan & the Giants are still “Looking for a Reason”, but Australia has already given them one: representing the country at Global Music 245.

“Looking for a Reason” captures the exhausting uncertainty of a relationship that seems to be slipping away while part of you is still searching for something that might justify holding on. Joan & the Giants wrap that emotional tug-of-war in melodic indie pop, balancing vulnerability with a growing sense of release as Grace’s vocals carry the frustration at its centre. Rather than offering an easy answer, the song lives in that uncomfortable space between staying and finally letting go. Heartfelt, melodic and emotionally restless, “Looking for a Reason” gives Joan & the Giants their first Global Music opportunity, and perhaps exactly the reason they were looking for.

Ukraine

Muayad is a Ukrainian singer and performer bringing a modern, emotionally charged approach to contemporary Ukrainian pop. His music combines polished production with an expressive vocal style, moving comfortably between vulnerability and intensity while keeping melody at the centre. Part of a Ukrainian music scene that continues to produce distinctive new voices, Muayad now gets the opportunity to introduce himself to a completely new audience: Global Music 245 will mark his debut in the contest.

Every newcomer hopes to leave Global Music audiences wanting more, although Muayad is offering something considerably more dangerous. Ukraine introduces its latest debutant to edition 245 with a dose of “Tviy yad”.

Meaning “Your Poison”, “Tviy yad” portrays attraction as something intoxicating and destructive at the same time: knowing that someone is bad for you does little to weaken the desire to return to them. Muayad leans into that contradiction with an intense vocal performance, while sleek contemporary production gives the song a darkly seductive pulse without sacrificing its melodic core. Desire and danger remain intertwined throughout, turning the relationship into an addiction its protagonist knows he should escape but cannot resist. Dramatic, alluring and emotionally charged, “Tviy yad” gives Muayad his first taste of Global Music, while Ukraine supplies the poison.

Norway

Tatjana Homdrom is a Norwegian singer-songwriter bringing a fresh voice to the country’s contemporary music scene. Her style leans strongly into country pop, combining accessible melodies and personal storytelling with the warmth and directness associated with modern country music. That mix gives her songs an easy emotional connection, balancing polished pop songwriting with a more organic, heartfelt character. Still at an early stage of her musical journey, she arrives without any previous Global Music history attached to her name: edition 245 will mark Tatjana Homdrom’s debut in the contest.

There may be “So Many Things” still ahead of a newcomer, but one of them can now be crossed off the list. Tatjana Homdrom is heading to Global Music for the very first time, carrying Norway’s hopes into edition 245.

“So Many Things” sits firmly in the country-pop lane, built around melodic storytelling, an open-hearted vocal delivery and the kind of emotional honesty that gives the genre much of its appeal. The song reflects on all the thoughts and feelings that can pile up when a relationship becomes difficult to put into words, with its warm instrumentation helping turn that uncertainty into something inviting rather than heavy. Gentle country textures and a polished pop sensibility work side by side, giving the track both intimacy and immediacy. Warm, melodic and quietly heartfelt, “So Many Things” introduces Tatjana Homdrom to Global Music with a distinctly country-flavoured Norwegian entry.

United States

Natalie Jane is an American singer-songwriter who has emerged as one of the striking young voices in contemporary pop. Born in New Jersey, she built an enormous online following through covers and original music before songs such as “AVA”, “Intrusive Thoughts” and “Somebody to Someone” helped establish her beyond social media. Her powerful, instantly recognisable vocals are particularly suited to emotionally heightened pop, with heartbreak, anxiety and complicated relationships frequently providing the raw material. Despite already reaching millions of listeners around the world, one audience has yet to meet her: Global Music 245 will mark Natalie Jane’s debut.

After sitting out one edition, the United States is ready to dance its way back into Global Music, and its newcomer apparently has no intention of leaving the floor early. Natalie Jane arrives at edition 245 with the Dance version of “Dance til I die”.

“Dance til I die” turns emotional turmoil into something you can move to, choosing the dance floor as the place to outrun whatever is weighing you down. In this Dance version, the contrast becomes even sharper: Natalie’s intense, emotionally charged vocals collide with an energetic electronic pulse, transforming vulnerability into release without erasing the feelings underneath. It is less about dancing because everything is perfect than dancing precisely because it isn’t. Urgent, cathartic and built for movement, “Dance til I die” brings the United States back to Global Music with a debutant determined to keep going until the very last beat.

United Kingdom

Blue are one of the most successful British boybands of the early 2000s. Formed by Antony Costa, Duncan James, Lee Ryan and Simon Webbe, the quartet broke through with “All Rise” in 2001 and quickly became chart regulars with hits including “Too Close”, “If You Come Back”, “One Love” and their Elton John collaboration “Sorry Seems to Be the Hardest Word”. Their blend of pop, R&B harmonies and four distinctive voices brought them success well beyond the UK, while a later reunion even took them to Eurovision in 2011 with “I Can”, finishing 11th. More than 25 years after the group was formed, however, there is still a contest debut left on the list: Global Music 245 will be Blue’s first participation.

They have promised “One Love”, asked for “One More Chance”, and now Blue are asking for “One Last Time”. The United Kingdom brings four familiar faces to a completely new stage as the quartet make their Global Music debut with “One Last Time”.

“One Last Time” finds Blue in the territory that has always suited their voices particularly well: love, regret and the difficulty of accepting that a relationship may truly be over. Rather than trying to recreate their early-2000s sound wholesale, the song presents the group’s trademark harmonies within a more mature contemporary pop setting, reflecting both the years that have passed and the chemistry that remains between them. There is longing in the desire for one final moment together, but also the awareness that sometimes a last chance really is the last. Warm, melodic and steeped in nostalgia without living entirely in the past, “One Last Time” gives Blue a first Global Music appearance built around the possibility of one final chance.

Suriname

Ray Slijngaard and Anita Doth are names inseparably linked with the golden age of European dance music. As the voices and faces of 2 Unlimited, the Dutch duo became international stars during the 1990s, scoring enormous hits including “No Limit”, “Twilight Zone” and “Tribal Dance” and helping define the sound of Eurodance in the process. Their connection to Suriname runs through their heritage: Ray was born to a Surinamese father, while Anita was born to Surinamese parents. After decades of performing for audiences around the world, there is still one competition they have never experienced: both Ray and Anita make their Global Music debut in edition 245.

They once insisted there were “No Limits”, and more than three decades later that philosophy is taking Ray & Anita somewhere new. This time they follow their Surinamese roots onto the Global Music stage, all “In Da Name of Love”.

“In Da Name of Love” reconnects Ray & Anita with the energetic dance sound that made them famous while giving it a modern setting. Anita’s powerful melodic vocals provide the lift, Ray brings his instantly recognisable rhythmic delivery, and together they recreate the contrast that has always been central to their chemistry. Beneath the driving electronic production lies a simple celebration of love as something worth throwing yourself into without hesitation. Upbeat, nostalgic and bursting with Eurodance DNA, “In Da Name of Love” gives Suriname two newcomers who may be making their Global Music debut, but certainly know their way around a dance floor.

Germany

Annette Pfab is a German singer-songwriter whose music is rooted in thoughtful, melodic pop with a strong emphasis on storytelling and emotional authenticity. Her understated approach allows the voice and the message of a song to remain at the centre, favouring sincerity over spectacle and giving her material an intimate, personal character. While she brings her own musical experience to the stage, Global Music itself is entirely unfamiliar territory: edition 245 will mark Annette Pfab’s debut in the contest.

There is a first time for everything, and for Annette Pfab, “This Time” happens to be exactly that. Germany welcomes a brand-new face to the Global Music family as she takes her first shot at the contest with a song whose title could hardly be more appropriate.

“This Time” is centred on the moment when reflection finally turns into resolve: recognising what went wrong before, but refusing to repeat the same mistakes. Annette approaches that determination with warmth rather than defiance, giving the song an emotional sincerity that makes its message feel personal. Its melodic pop arrangement leaves plenty of space for her expressive delivery, gradually turning uncertainty into quiet confidence and the possibility of a fresh beginning. Reflective, hopeful and gently uplifting, “This Time” may be Annette Pfab’s first Global Music attempt, but Germany will be hoping it is a first time worth remembering.

Serbia

Fantom is a Serbian artist whose music inhabits a dreamy corner of the regional alternative-pop scene, combining synth-pop, indie and retro influences with an understated, often melancholic atmosphere. Rather than relying on oversized production, his songs tend to create their appeal through mood, melody and intimacy, giving them a nostalgic quality that feels both contemporary and slightly removed from time. That distinctive musical world now gets its first Global Music showcase, as Fantom makes his contest debut in edition 245.

For a newcomer called Fantom, an entrance built around something haunting feels rather appropriate. Serbia brings him out of the shadows and onto the Global Music 245 stage with “Devojka sa tuznim ocima”.

Meaning “The Girl with Sad Eyes”, “Devojka sa tuznim ocima” draws its emotional power from fascination with someone whose sadness seems impossible to ignore. Fantom surrounds that image with a wistful, retro-tinged soundscape, where gentle electronic textures and an unhurried rhythm allow the melody to drift rather than demand attention. There is romance here, but also distance and mystery: the girl at the centre of the song feels almost like a memory you can see but never quite reach. Dreamy, melancholic and quietly hypnotic, “Devojka sa tuznim ocima” gives Fantom a debut that may arrive softly, but is designed to linger long after it disappears.

Sweden

Molly Hammar is a Swedish singer-songwriter whose powerhouse voice has made her a distinctive presence on the country’s pop and soul scene. First introduced to a wider audience through Idol, she later competed twice in Melodifestivalen and gradually developed a more personal musical identity rooted in contemporary R&B, soul and emotionally direct pop. Her rich vocals and ability to move effortlessly between vulnerability and sheer power have also served her well in Global Music: “Fantomsmärta” will be Molly’s fourth participation, and she already has a silver medal to her name. Only one step on the podium remains unconquered.

Molly Hammar has already come close enough to Global Music gold to almost touch it. Now Sweden sends her back carrying the ache of something that is no longer there, as she returns to edition 245 with “Fantomsmärta”.

Literally meaning “Phantom Pain”, “Fantomsmärta” borrows its title from the sensation of feeling pain in a part of the body that has been lost and transforms it into a striking metaphor for emotional absence. Someone may have disappeared from your life, yet the feelings they left behind can remain painfully real. Molly’s soulful voice is perfectly suited to that contradiction, moving between exposed vulnerability and powerful emotional release as the production gives the song room to swell around her. Raw, melodic and deeply felt, “Fantomsmärta” turns an invisible wound into something you can hear, and gives Molly Hammar another chance to replace the lingering memory of silver with gold.

Denmark

Marius Ziska is a Faroese singer-songwriter whose atmospheric music has made him one of the distinctive voices to emerge from the Faroe Islands. Singing in both Faroese and English, he has developed a sound that moves between indie pop, folk and gently expansive alternative music, often shaped by reflective songwriting and a strong sense of place. His work has earned recognition at home in the Faroes while gradually reaching listeners beyond the islands, with his warm, understated vocals at the centre. The journey now takes him onto unfamiliar ground: representing Denmark, Marius Ziska will make his Global Music debut in edition 245.

Every Global Music newcomer has to find his way onto the stage somehow, although Marius Ziska arrives wondering whether he took a wrong turn. Denmark welcomes the Faroese singer to edition 245 with “Where Did I Go Wrong”.

“Where Did I Go Wrong” lives in the aftermath of choices that cannot simply be undone, looking back at a relationship and searching for the moment when everything began to slip away. Marius approaches that regret with characteristic restraint, allowing his vulnerable vocals and the song’s spacious, atmospheric arrangement to carry the emotion rather than forcing it. Melancholy runs deep, but so does melody, giving the track a quiet beauty as unanswered questions linger beneath the surface. Introspective, haunting and emotionally sincere, “Where Did I Go Wrong” may be built around losing your way, but for Marius Ziska it leads directly to his first Global Music stage.

Spain

Elisabeth Jordán is a Spanish singer and performer who first became widely known as a member of the pop group Bellepop, formed through the television talent show Popstars: Todo por un sueño in the early 2000s. After that first taste of mainstream success, her career took her through different areas of music and performance before eventually bringing her back into the spotlight as a solo artist. More than two decades after her initial breakthrough, Elisabeth is opening another new chapter in her career, and this one comes with a completely clean Global Music slate: edition 245 will mark her debut in the contest.

Some newcomers arrive quietly. Elisabeth Jordán has chosen a rather more combustible introduction. Spain hands her the match for Global Music 245 with one provocative question: “¿Queréis ver el cielo arder?”

Meaning “Do You Want to See the Sky Burn?”, “¿Queréis ver el cielo arder?” immediately announces itself with drama and intensity. The song channels defiance and emotional release into a forceful contemporary Spanish pop setting, with Elisabeth delivering its central challenge with the confidence of a performer who has spent years on stage. There is a sense of breaking free running through the track, turning its fiery imagery into something larger than simple destruction: this is about reaching the point where holding back is no longer an option. Fierce, dramatic and ablaze with attitude, “¿Queréis ver el cielo arder?” gives Elisabeth Jordán a debut designed not merely to light up the Global Music stage, but to set the whole sky on fire.

Morocco

Ma3iz is part of a new generation of Moroccan artists bringing the country’s sounds into an increasingly international urban landscape, blending contemporary rhythms with a distinctly North African identity.

He is joined by Nora Fatehi, the Canadian-Moroccan performer who has become a major star in India through her dancing, acting and music, building an enormous international following with her magnetic screen presence and high-energy performances.

Completing the trio is Sanjoy, a Bangladeshi-American producer and DJ whose career has taken him across electronic, pop and South Asian music, making this a collaboration that stretches from Morocco to India and far beyond. Despite their very different journeys, all three share one thing: Ma3iz, Nora Fatehi and Sanjoy will each make their Global Music debut in edition 245.

And they are arriving just in time for a Moroccan comeback. Absent since GM220, Morocco finally turns the volume back up 25 editions later, with three newcomers ready to “Slay to the Rhythm”.

“Slay to the Rhythm” is built for movement, bringing together North African flavour, global pop and dance production in a collaboration where rhythm is very much the main attraction. Ma3iz supplies the Moroccan character, Nora Fatehi brings the charisma and performance energy, while Sanjoy ties the different influences together with a slick international production. The result is bold, colourful and unapologetically dance-driven, with a hook designed to make standing still increasingly difficult. After a lengthy spell away, Morocco is not tiptoeing back into Global Music: “Slay to the Rhythm” makes its return with the beat turned up and three debutants determined to live up to the title.

Israel

Liel Nahtom is an emerging Israeli singer-songwriter whose music places emotional storytelling at the centre of contemporary Hebrew pop. Her expressive delivery brings an intimate quality to her songs, combining modern production with the melodic sensibility that characterises much of Israel’s current pop scene. Still building her profile and musical catalogue, Liel arrives at Global Music without any previous contest history to define expectations: edition 245 will be her debut.

There may be no previous Global Music memories for Liel Nahtom to look back on, but according to her song, time is already running out. Israel introduces its newcomer to edition 245 with “Nigmar lanu hazman”.

The title translates as “Our Time Is Up”, immediately setting the emotional landscape for a song about reaching the point where a relationship can no longer be rescued simply by holding on. Liel delivers that realisation with vulnerability and restraint, while the contemporary Hebrew pop production allows melancholy and melody to work side by side. Rather than turning the breakup into an explosive confrontation, the song captures the quieter pain of recognising that something meaningful has reached its natural end. Tender, bittersweet and emotionally direct, “Nigmar lanu hazman” may declare that time has run out, but for Liel Nahtom at Global Music, it is only just beginning.

Portugal

Carminho is one of the leading voices of contemporary Portuguese fado, carrying the tradition forward with a style that respects its roots while remaining open to new musical encounters. Born into a fado family in Lisbon, she has earned international recognition through her expressive voice, acclaimed albums and collaborations extending well beyond Portugal. Global Music knows her too: “Memória” marks her fourth participation, with 16th place remaining her best result.

Alongside her is Spanish superstar Rosalía, whose fearless fusion of flamenco traditions with pop, electronic and experimental sounds has made her one of the most internationally influential Spanish-language artists of her generation. She returns for her fifth Global Music appearance, looking to improve on a personal best of 13th place.

Between them, Carminho and Rosalía have already accumulated seven Global Music appearances without reaching the top ten. For number eight, they turn towards something that lasts longer than any scoreboard: Portugal brings the two voices together in edition 245 with “Memória”.

“Memória” is an intimate meeting between two artists deeply connected to the musical traditions of the Iberian Peninsula. Carminho’s unmistakable fado expression provides the song with its Portuguese soul, while Rosalía’s distinctive phrasing adds another texture without disturbing its delicate emotional balance. Built around remembrance, absence and the traces people leave behind, the song favours restraint over spectacle, allowing silence and space to carry almost as much weight as the voices themselves. Haunting, elegant and steeped in saudade, “Memória” turns the past into something vividly present, and gives both Carminho and Rosalía a Global Music performance worth remembering.

Monaco

Zazie has been one of the most distinctive figures in French-language pop for more than three decades. Born Isabelle de Truchis de Varennes, the French singer-songwriter is known for intelligent wordplay, unconventional lyrical ideas and a musical catalogue that moves between chanson, sophisticated pop and electronic influences. Songs such as “Je suis un homme”, “Zen” and “Rue de la Paix” have helped establish her as an enduring presence in Francophone music, both as a performer and as a songwriter for other artists. Global Music knows her well too: “Peu importe” marks Zazie’s fifth participation, although 24th place remains a surprisingly modest personal best.

Monaco sat out the previous edition, but now it is ready to rejoin the competition, and who better to reopen the door than a familiar face? For Zazie, perhaps the past results matter peu importe: she returns to Global Music 245 with “Peu importe”.

Meaning “It Doesn’t Matter” or “No Matter”, “Peu importe” carries the thoughtful lyrical character that has long been central to Zazie’s music. The song circles around the things we choose to dismiss, accept or leave behind when emotions and relationships refuse to fit into neat answers. Her understated, expressive delivery allows the words to take centre stage, supported by polished French pop production that favours atmosphere and melody over grand gestures. Reflective, elegant and quietly insistent, “Peu importe” brings Monaco back to Global Music with an artist who may claim the result does not matter, although after four previous attempts, a new personal best certainly wouldn’t hurt.

Czechia

Sebastian Navrátil is a Czech singer-songwriter who broke through in the mid-2010s and has since become an established presence on the country’s contemporary pop scene. Known simply as Sebastian for much of his career, he has built his catalogue around melodic Czech-language pop, combining accessible hooks with an increasingly mature and personal approach to songwriting. Global Music has seen him once before, although his first attempt ended before the final.

This time he returns with company. Patrik Malý is a Czech singer and musician whose contemporary pop style makes him a natural partner for Sebastian, and while one half of the duo has unfinished Global Music business, Patrik arrives with a completely clean slate for his contest debut.

Sebastian’s first Global Music appearance may have ended too soon, but this time he and Patrik Malý are setting their own pace. Czechia sends the pair into edition 245 with “Tempo”.

“Tempo” revolves around the rhythm of a relationship and what happens when two people struggle to keep moving at the same speed. Sebastian and Patrik’s voices give the song its conversational quality, allowing different perspectives and emotions to meet within a polished contemporary pop setting. A steady rhythmic drive runs through the track, but melody remains at its heart, creating an appealing balance between movement and reflection. Modern, melodic and naturally suited to its two performers, “Tempo” gives Patrik his first Global Music beat to follow, while Sebastian gets another chance to keep his journey going all the way to the final.

Ireland

LP, born Laura Pergolizzi, is an American singer-songwriter with an unmistakable voice, a gift for dramatic melodies and Irish roots through her mother. Long before becoming internationally recognised as a performer in her own right, LP wrote songs for artists including Rihanna, Christina Aguilera and Cher. Her own breakthrough came with the enormous success of “Lost on You”, showcasing the soaring vocals, whistling and emotionally raw songwriting that have become her trademarks. Global Music audiences already know how formidable that combination can be: this will be LP’s third participation, and she returns as a former champion and gold medallist for the USA. This time, however, she is exploring the other side of her heritage.

Having already struck Global Music gold beneath the Stars and Stripes, LP now crosses the Atlantic and follows her Irish roots into edition 245, where Ireland has chosen “Muddy Waters” for her return.

Dark, soulful and steeped in atmosphere, “Muddy Waters” finds LP navigating emotional territory far less clear than its title suggests. Bluesy undertones and a brooding arrangement gradually gather intensity around her unmistakable voice, turning the song into a powerful exploration of struggle, temptation and perseverance when the way forward becomes difficult to see. LP’s raw delivery gives every line a lived-in quality, while the track builds without sacrificing its shadowy character. Deep, dramatic and emotionally turbulent, “Muddy Waters” sees a former champion return to Global Music under a new flag, ready to discover whether she can strike gold on both sides of the Atlantic.

Türkiye

Sibel Can is one of the most established and recognisable voices in Turkish popular music. Beginning her career as a performer at a young age, she rose to prominence in the late 1980s and has since built an extensive catalogue spanning Turkish pop, arabesque and traditional influences. Her rich, expressive voice has remained at the centre of a career lasting almost four decades.

Joining her is Eypio, a rapper and songwriter who represents a very different corner of Türkiye’s musical landscape. Known for his distinctive delivery and fusion of hip-hop with Turkish and Middle Eastern flavours, he has scored major hits including “Günah Benim”. Despite their very different career paths, both arrive on completely equal footing here: Global Music 245 marks the debut of both Sibel Can and Eypio.

One brings decades of Turkish musical tradition, the other a distinctly urban pulse, and Global Music is where their paths now cross. Türkiye pairs Sibel Can and Eypio for edition 245 with “Kıyamam”.

“Kıyamam” draws much of its character from that meeting of musical worlds. Sibel’s emotive, ornamented vocals bring warmth and drama, while Eypio provides a rougher contemporary contrast, allowing traditional Turkish colours and modern urban production to rub shoulders throughout the track. The title expresses the feeling of being unable to bring yourself to hurt, abandon or give up on someone, giving the song an emotional core beneath its rhythmic exterior. Passionate and unmistakably Turkish in flavour, “Kıyamam” introduces two Global Music newcomers who may come from opposite ends of the musical spectrum, but prove that sometimes the most interesting chemistry begins with contrast.

North Macedonia

Tamara Todevska has been one of North Macedonia’s most prominent pop voices for more than two decades. Born in Skopje into a musical family, she has built a career around her powerful vocals and ability to move between contemporary pop, dramatic ballads and more rhythm-driven material. Eurovision audiences have encountered her several times, most notably in 2019 when “Proud” won the jury vote and ultimately finished 7th, North Macedonia’s best result in the contest. She is equally familiar with Global Music: “Diva” will be Tamara’s sixth participation, although 17th place remains her surprisingly modest personal best.

Five attempts have yet to give Tamara Todevska the Global Music result her résumé might suggest. For number six, subtlety is apparently off the guest list: North Macedonia sends her back into the spotlight with “Diva”.

“Diva” embraces confidence, glamour and unapologetic attitude, giving Tamara the opportunity to trade some of her familiar emotional intensity for something bolder and more playful. A punchy contemporary pop production provides the setting, while her commanding voice ensures the title never feels like an empty boast. There is swagger behind the performance, but also the experience of an artist entirely comfortable occupying centre stage. Bold, theatrical and determined to be noticed, “Diva” sees Tamara return to Global Music ready to act the part, and perhaps finally secure a result worthy of the billing.

Belgium

Sandra Kim holds a unique place in Belgian music history. Born in Montegnée, she was only 13 when “J’aime la vie” swept to victory at the Eurovision Song Contest in 1986, giving Belgium its first and, to date, only Eurovision triumph. Still the youngest winner the competition has ever had, Sandra went on to build a long career as a singer and performer rather than allowing that teenage victory to define her entire story. Four decades after conquering one international song contest, however, she finds herself somewhere completely new: Global Music 245 will mark Sandra Kim’s debut.

She once asked Europe to share her love of life. Now, 40 years later, Sandra Kim returns to the international contest stage with a rather different request: Belgium brings her to Global Music 245 with “Take Me as I Am”.

“Take Me as I Am” is built around self-acceptance and the refusal to reshape yourself simply to meet somebody else’s expectations. There is particular weight to that message coming from an artist who has spent most of her life in the public eye, allowing Sandra to approach the song with the confidence and perspective of experience. Its polished pop sound supports an assured vocal performance that feels more declarative than pleading: acceptance comes without conditions. Warm, empowering and refreshingly straightforward, “Take Me as I Am” introduces Global Music to Sandra Kim exactly as she is.

Russia

Julia Parshuta is a Russian singer, songwriter and actress who first rose to prominence through the television project Fabrika Zvyozd, before becoming a member of the pop group Yin-Yang. She later embarked on a solo career, developing a more personal sound centred around sophisticated pop, emotional songwriting and her expressive vocal delivery. Global Music audiences have already seen that formula come remarkably close to the podium: Julia returns for her third participation having previously reached 4th place, leaving her just one step away from a medal.

Twice before Julia Parshuta has entered the Global Music race, and once she came agonisingly close to the medals. Now Russia is asking her to stay a little longer, as she returns to edition 245 with “Ostanʹsja eshchë”.

Meaning “Stay a Little Longer”, “Ostanʹsja eshchë” captures that fragile moment when a goodbye feels inevitable, yet neither heart is quite ready to let go. Julia delivers the plea with restraint and vulnerability, allowing the emotion to build naturally rather than pushing it into outright melodrama. Atmospheric contemporary pop production surrounds her voice with a sense of intimacy and lingering melancholy, reflecting the desire to stretch a fleeting moment just a little further. Tender and emotionally charged, “Ostanʹsja eshchë” brings Julia back to Global Music hoping that this time, she might stay around long enough to finally reach the podium.

South Korea

The Rose are a South Korean four-piece band consisting of Woosung, Dojoon, Hajoon and Jaehyeong. Since debuting in 2017 with “Sorry”, they have built an international following with a sound that sits between alternative pop, indie rock and emotionally charged pop-rock. Rather than following the conventional idol-group formula, the members play their own instruments and have developed a recognisable identity around heartfelt songwriting, atmospheric arrangements and Woosung’s distinctive vocals. Extensive international touring has taken their music far beyond South Korea, but one destination remains unexplored: Global Music 245 will be The Rose’s debut in the contest.

For their first Global Music chapter, The Rose are turning the pages backwards. South Korea sends the four-piece into edition 245 with “Childhood”.

“Childhood” looks back at the dreams, freedom and innocence that can gradually become buried beneath the expectations of adulthood. Beginning with an intimate, reflective quality, the song grows into something broader and more uplifting, with the band’s organic instrumentation giving its nostalgic message room to breathe. There is melancholy in looking back, but also encouragement to reconnect with the person you were before the world started telling you who to become. Tender, hopeful and quietly expansive, “Childhood” sees The Rose arrive at Global Music by looking back at where everything began.

Liechtenstein

Marie Wegener first stepped into the spotlight at a remarkably young age, becoming the youngest-ever winner of Deutschland sucht den Superstar when she claimed the title in 2018 at just 16. The German singer subsequently launched her recording career with melodic German-language pop, showcasing a clear, powerful voice particularly well suited to emotionally driven material. Global Music audiences have already had one introduction to Marie, and it proved a successful one: she finished 9th on her debut. Now she returns for a second participation with a top-ten result already to her name.

So, does Marie Wegener know what it takes to reach the Global Music top ten? The answer is already yes. The question this time is whether she can climb even higher, as Liechtenstein sends her back into the competition with “Weißt du?”.

Meaning “Do You Know?”, “Weißt du?” places uncertainty and unspoken feelings at the centre of an emotionally direct German pop song. Marie’s expressive vocals carry the questions that arise when you need to know whether another person truly understands what you feel, giving the track a sense of vulnerability without allowing it to become fragile. Its polished production gradually adds weight around her voice, balancing intimacy with a broader pop appeal. Heartfelt and searching, “Weißt du?” leaves Marie asking the questions, while Global Music 245 will provide the answers.

Poland

Margaret has been one of the most recognisable figures in Polish pop for more than a decade, breaking through internationally with the infectious “Thank You Very Much” before scoring further success with songs including “Cool Me Down” and “Tempo”. Over the years, she has continually reshaped her sound, moving from glossy international pop towards more adventurous Polish-language material while retaining the playful personality and strong visual identity that have become her trademarks. She is also a very familiar face to Global Music audiences: “Primabalerina” marks Margaret’s seventh participation, although a 6th place remains the tantalisingly close personal best she is still trying to beat.

Six previous attempts have taken Margaret close to the Global Music podium without quite putting her on it. Now the familiar Polish contender pirouettes back into the competition with “Primabalerina”.

“Primabalerina” pairs a playful, slightly theatrical concept with Margaret’s modern pop sensibilities. Its ballerina imagery becomes part of a song about performance, expectations and maintaining your balance while the world watches, delivered with the wit and self-awareness that increasingly characterise her Polish-language music. A catchy rhythmic production keeps things light on its feet, while Margaret’s charismatic delivery ensures there is attitude behind the elegance. Quirky, confident and difficult to mistake for anything else in the line-up, “Primabalerina” gives her a seventh chance to finally dance her way beyond that 6th-place ceiling.

Gabon

Créol is a Gabonese singer and performer who has built her identity around a vibrant mixture of Afropop, dance and Central African influences. Known for her colourful personality and energetic delivery, she has become a recognisable figure in Gabonese popular music while collaborating with artists from across the Francophone African scene.

Alongside her is Congolese superstar Fally Ipupa, one of the biggest names in modern African music. Rising to fame with Quartier Latin International before launching a hugely successful solo career, he has helped bring the sounds of Congolese rumba and ndombolo into contemporary Afropop, filling arenas and building an audience far beyond Central Africa. Despite their extensive careers, Global Music territory is new for both artists, who make their contest debuts together.

And their arrival comes with a comeback decades in the making: after an absence of 142 editions, Gabon finally returns for only its second-ever Global Music appearance, sending Créol and Fally Ipupa into edition 245 with “T’arrêtes pas”.

“T’arrêtes pas” brings the pair together in a lively Francophone African collaboration powered by rhythm, chemistry and an infectious sense of movement. Créol’s spirited presence plays naturally against Fally Ipupa’s smooth charisma, while the production draws on contemporary Afropop and Central African dance influences to create something immediately warm and energetic. Its title translates roughly as “Don’t Stop”, and that sentiment fits a track determined to keep both its momentum and its listeners moving. Colourful and irresistibly rhythmic, “T’arrêtes pas” gives Gabon a celebratory soundtrack for its long-awaited Global Music return.

Netherlands

Wulf is a Dutch singer-songwriter whose warm, slightly raspy voice has become his unmistakable signature. He first gained wider recognition through collaborations with fellow Dutch artists before establishing a successful solo career with songs including “Mind Made Up”, “All Things Under the Sun” and “Switching Gears”. Global Music audiences know him particularly well: this will be Wulf’s sixth participation, and unlike most returning artists, he already knows exactly what it feels like to reach the very top, having previously claimed the championship and a Global Music gold medal.

There could hardly be a more fitting moment for a former champion to return. With Global Music 245 taking place on home soil, Wulf steps back onto the stage for the Netherlands with “Know That I’m Here”.

“Know That I’m Here” puts reassurance and emotional connection at its heart, offering a simple but powerful promise of being there for someone when they need it most. Wulf’s distinctive voice gives that message an intimate sincerity, while the polished pop production gradually opens the song up without overwhelming its personal core. Warm, heartfelt and quietly uplifting, it trades spectacle for genuine emotion, giving the host nation a former champion with a very different kind of song for his sixth Global Music appearance.

China

ZHANGYE is a Chinese DJ and producer whose electronic sound blends contemporary dance production with melodic and atmospheric elements. Across his previous Global Music appearances, he has already proven capable of making a serious impact: “Wherever the Wind Blows” will be his fifth participation, with a bronze medal standing as the highlight of his contest history so far.

This time he is joined by KARRA, an American singer-songwriter and vocalist well known within the electronic music world. Her distinctive voice has appeared on collaborations with numerous producers, while her work as a songwriter and vocal producer has made her a sought-after presence behind the scenes as well. Despite her extensive experience in dance music, there is one debut still waiting to be made: Global Music 245 will be KARRA’s first appearance in the contest.

For his fifth Global Music voyage, ZHANGYE has invited a new voice along for the ride, as he and KARRA follow “Wherever the Wind Blows” into edition 245 for China.

“Wherever the Wind Blows” pairs ZHANGYE’s expansive electronic production with KARRA’s clear, emotive vocals, creating a track driven as much by atmosphere as by its dance foundations. Its theme of surrendering to uncertainty and allowing life to carry you somewhere unexpected gives the song a sense of freedom and movement, while the production builds that feeling into something increasingly uplifting. Melodic, polished and windswept in spirit, the collaboration gives ZHANGYE another opportunity to chase the Global Music podium, while KARRA takes her first step onto it.

Andorra

Vicco is a Spanish singer-songwriter from Catalonia who burst into the wider spotlight with “Nochentera”, her irresistibly catchy entry in Benidorm Fest 2023. The song became a major hit in Spain and established her colourful musical identity, built around bright contemporary pop, retro touches and melodies with an immediate sing-along quality. Since then, she has continued exploring playful, energetic pop while proving particularly adept at turning simple ideas into memorable hooks. Global Music has already been kind to her too: Vicco claimed the bronze medal on her first appearance, meaning she returns for only her second participation with an impressive result to live up to.

After serving up a podium finish on her first visit, Vicco is back for seconds, and Andorra’s choice for Global Music 245 comes with an especially tempting title: “Tiramisu”.

“Tiramisu” embraces the sweet, playful side of Vicco’s musical personality, using the famous Italian dessert as a delicious metaphor for irresistible attraction. Flirty lyrics meet glossy, upbeat pop production in a track that prioritises fun, rhythm and an instantly memorable refrain, with Vicco delivering it all with the cheeky confidence that suits her so well. Light, addictive and unapologetically sugary, “Tiramisu” arrives at Global Music 245 hoping Vicco’s second helping can take her even higher than the bronze medal she earned first time around.

Lithuania

Martynas Kavaliauskas is a Lithuanian singer and performer who first became widely known through television music competitions, before establishing himself as a familiar name on the country’s pop scene. His career has showcased his versatility across contemporary pop, romantic material and energetic live performances, supported by a strong, polished vocal style. Over the years he has continued to release music in Lithuanian while becoming an experienced stage performer, but one challenge remains completely new to him: Global Music 245 will be Martynas’ debut in the contest.

A thousand nights may sound like a long wait, but Martynas Kavaliauskas’ first Global Music appearance has finally arrived, as Lithuania entrusts him with “1000 naktu”.

Meaning “1000 Nights”, the song dives into the lingering intensity of a relationship that refuses to disappear from memory. Martynas delivers it with an emotional directness that suits the song’s romantic core, while polished modern pop production gives the track both momentum and scale. Melancholy runs beneath the surface, but “1000 naktu” never becomes weighed down by it, instead turning longing into an expansive, memorable chorus. Dramatic, melodic and heartfelt, it provides Martynas with an immediately accessible introduction to the Global Music audience.

Cyprus

Ivi Adamou has been a familiar name in Greek and Cypriot pop since first attracting attention as a teenager on the Greek edition of The X Factor. Born in Ayia Napa, she quickly developed a successful recording career built around Mediterranean pop, dance rhythms and a distinctive, expressive voice. International audiences may know her best from the Eurovision Song Contest in 2012, where she represented Cyprus with the infectious “La La Love”. Global Music audiences have met her before as well: “Xelogiastra” marks Ivi’s third participation, with 8th place standing as her best result to date.

Two Global Music appearances have already put Ivi Adamou within touching distance of the top, and now Cyprus welcomes her back for another attempt, this time with “Xelogiastra”.

“Xelogiastra” draws strongly on Greek and Cypriot musical character while wrapping it in a polished contemporary setting. Ivi’s confident delivery sits at the heart of a track filled with Mediterranean energy, traditional flavours and a rhythmic pull that gives the song an immediate identity. There is something both earthy and modern about the combination, allowing her to step beyond straightforward pop without losing the accessibility that has long been one of her strengths. Spirited, distinctive and rich in regional colour, “Xelogiastra” gives Ivi Adamou a striking soundtrack for her third Global Music adventure.

Switzerland

Sebalter is a Swiss singer-songwriter and violinist whose music combines folk-pop, acoustic influences and an instinct for uplifting melodies. Born Sebastiano Paù-Lessi in Ticino, he became known internationally when he represented Switzerland at the Eurovision Song Contest in 2014 with “Hunter of Stars”, finishing 13th and giving the country its best result in several years. He has since continued developing his warm, melodic style, with the violin remaining one of his musical signatures. Sebalter is also a familiar face in Global Music: this will be his fifth participation, and he returns hoping to improve on a personal best of 10th place.

Four previous journeys have already taken Sebalter across the Global Music landscape, and for his fifth he heads back into the Swiss mountains, carrying “Mountain Wind” into edition 245.

“Mountain Wind” feels closely connected to the landscapes that surround Sebalter’s musical identity. Folk-inspired instrumentation and his characteristic violin help create an open, organic sound, while the song carries the sense of freedom and renewal suggested by its title. Rather than chasing grand drama, it finds its strength in warmth, movement and an uplifting melody, evoking fresh air, wide horizons and the urge to leave everyday worries behind. Breezy and unmistakably Sebalter, “Mountain Wind” brings a breath of the Swiss outdoors to Global Music 245.

Nepal

Sushant KC has become one of the prominent voices of Nepal’s contemporary pop scene, building a large following with music that combines accessible pop songwriting with acoustic, indie and modern electronic influences. Born in Nepal and having spent part of his life studying abroad, he began releasing his own material in the 2010s and gradually found a wide audience with songs including “Aama”, “Bardali” and “Sarangi”. His warm vocals and melodic approach have made him particularly popular among a younger generation of Nepali listeners, while his music has increasingly travelled beyond the country’s borders. That journey now leads somewhere new, as Global Music 245 marks his debut in the contest.

Sushant KC now turns that growing international reach towards Global Music, where “Pagal” will introduce both him and his sound under the Nepalese flag in edition 245.

Meaning “Crazy”, “Pagal” captures the intoxicating effect of falling so deeply for someone that rational thought begins to disappear. Sushant delivers the song with an easy warmth and romantic sincerity, while its contemporary production blends melodic pop with distinctly South Asian touches. The result feels light and immediately inviting rather than overly dramatic, allowing the infectious melody and lovestruck sentiment to take centre stage. Romantic, catchy and full of youthful energy, “Pagal” gives Sushant KC a vibrant first opportunity to make his mark on Global Music.

Italy

Nicolò Filippucci is a young Italian singer who came to wider attention through the 2024–25 edition of Amici di Maria De Filippi, where his powerful voice and emotional performances helped him reach the final stages of the competition. Originally from Perugia, he has since begun carving out his own identity as a recording artist, combining contemporary Italian pop with an expressive vocal style particularly suited to songs driven by emotion and melody. Still at the beginning of his professional journey, Nicolò is now adding another milestone to it: Global Music 245 will mark his debut in the contest.

From the Amici stage to a new international challenge, Nicolò Filippucci now takes his place under the Italian flag at Global Music 245 with “Laguna”.

“Laguna” shows a more intimate and atmospheric side of the young singer, wrapping feelings of attraction and emotional uncertainty in polished contemporary pop. Nicolò’s expressive voice remains at the centre, moving between restrained, vulnerable moments and more intense passages as the song unfolds. There is a wistful quality running through the track, with the image of a lagoon providing an evocative backdrop for emotions that seem suspended somewhere between closeness and distance. Melodic and heartfelt, “Laguna” gives Italy a young new voice for Global Music 245.

Greece

Marseaux is one of the most recognisable young voices in Greece’s new generation of pop. Born Maria-Sofia Aleksiou in Athens, she first gained widespread attention through collaborations with rapper dPans before establishing a musical identity of her own. Her colourful aesthetic and distinctive vocal style accompany a sound that moves freely between contemporary pop, alternative pop and electronic influences, often pairing youthful immediacy with lyrics about relationships, insecurities and growing up. Having already made her mark on the Greek scene, she now faces a completely new audience: Global Music 245 will be her debut in the contest.

For her first taste of Global Music, Marseaux is serving something distinctly summery as Greece sends “Granita Lemoni” to edition 245.

Meaning “Lemon Granita”, “Granita Lemoni” is every bit as bright and refreshing as its title suggests. Breezy pop production, playful electronic touches and Marseaux’s light, characterful delivery create a song soaked in the carefree atmosphere of a Greek summer, while a flirtatious streak keeps things bubbling beneath the surface. Sweet with just the right squeeze of sharpness, “Granita Lemoni” is a colourful introduction to Marseaux and a refreshing Greek entry for Global Music 245.

Finland

Isac Elliot has grown from teenage phenomenon into one of Finland’s established contemporary pop artists. Born in Kauniainen, he broke through at just 12 years old with “New Way Home” and quickly built a following both at home and elsewhere in the Nordic countries. Since those early years, Elliot has matured alongside his music, moving from youthful pop towards a more polished sound incorporating modern pop, R&B and electronic influences. More than a decade into his career, however, there is still a first waiting for him: Global Music 245 will mark his debut in the contest.

And after growing up in the spotlight, Isac Elliot now has a new destination on his musical map, carrying the Finnish colours into Global Music 245 with “Tired of Missing You”.

“Tired of Missing You” captures the frustration of being unable to shake someone who is no longer there. Built around longing and emotional exhaustion, the song pairs Elliot’s smooth, vulnerable delivery with sleek contemporary pop production, allowing melancholy and immediacy to coexist. There is sadness at its core, but rather than turning into a heavy ballad, the track keeps moving with a modern rhythmic pulse. Personal, melodic and quietly restless, “Tired of Missing You” gives Isac Elliot an emotionally charged introduction to the Global Music stage.

San Marino

Raf is one of the enduring names of Italian pop, with a career stretching back more than four decades. Born Raffaele Riefoli in Margherita di Savoia, he first found international success in the 1980s with the Italo-disco hit “Self Control”, later becoming firmly established as a singer-songwriter in his native language. Songs such as “Cosa resterà degli anni ’80”, “Ti pretendo” and “Infinito” have become staples of Italian pop. His international career also took him to the Eurovision Song Contest in 1987, where he represented Italy alongside Umberto Tozzi with “Gente di mare”, finishing in third place. Despite that long musical résumé, one stage is entirely new to him: Global Music 245 marks Raf’s debut in the contest.

After more than four decades of Italian pop history, Raf is opening a brand-new chapter as San Marino hands him its ticket to Global Music 245 with “Pazzi stupidi ragazzi”.

“Pazzi stupidi ragazzi”, or “Crazy Stupid Kids”, finds Raf looking at the recklessness, emotions and beautiful foolishness associated with youth from the perspective of someone who has lived through it. Rather than simply chasing nostalgia, the song combines reflection with a lively contemporary pop-rock sound and a chorus designed to linger. There is warmth, experience and a touch of self-irony behind it all, making “Pazzi stupidi ragazzi” an affectionate celebration of the impulsive youngsters we once were, or perhaps never entirely stopped being.

austria

RIAN is an Austrian singer-songwriter from Carinthia who has developed a distinctive place in the German-language pop scene by combining catchy melodies with humour, sharp observations and an engagingly down-to-earth personality. After building an audience through social media and his own releases, he found major success with “Verwandtschaftstreffen”, demonstrating his knack for turning the quirks of everyday life into irresistible pop material. While his song may revolve around familiar faces, RIAN himself is a newcomer here: Global Music 245 will be his first appearance in the contest.

So for his Global Music debut, RIAN is bringing the whole family along: Austria sends him into edition 245 with “Verwandtschaftstreffen”.

Quite literally a “family gathering”, “Verwandtschaftstreffen” turns that familiar occasion into a wonderfully playful portrait of relatives, awkward encounters and all the little peculiarities that emerge when the extended family gets together. RIAN delivers his observations with warmth rather than cruelty, wrapping them in an upbeat, instantly accessible pop song whose cheerful melody makes the comedy land even better. Light-hearted, charming and unmistakably Austrian in language and character, “Verwandtschaftstreffen” brings both a smile and a sizeable family tree to Global Music 245.

Canada

Charlotte Cardin is one of Canada’s most distinctive contemporary pop artists. Born in Montreal, the singer-songwriter first attracted attention with her smoky, expressive voice and an elegant sound moving between pop, soul and subtle electronic influences. Her breakthrough album Phoenix earned widespread acclaim and multiple Juno Awards, while 99 Nights further established her beyond Canada. She is no stranger to Global Music either: this will be Cardin’s fourth participation, although an 11th place remains the closest she has come to breaking into the contest’s top ten.

Three previous attempts have left some unfinished business, and Charlotte Cardin now returns to Global Music for Canada with “The Way We Touch”.

“The Way We Touch” explores the magnetic pull between two people through a sensual, emotionally charged pop sound. Cardin keeps the performance intimate and controlled, allowing the tension in her voice to do much of the work, while the sleek production gradually draws the listener deeper into the song. Seductive without being overstated, it captures that complicated space where physical attraction and genuine emotion begin to blur, giving Cardin an alluring fourth opportunity to chase that elusive Global Music top ten.

France

Oria is an emerging French singer-songwriter bringing a fresh and sophisticated touch to the country’s contemporary pop scene. Blending modern French pop with elegant electronic production and a distinctly cinematic sensibility, she creates music that feels both intimate and stylish. Her artistic universe plays with contrasts between glamour and vulnerability, pairing polished surfaces with something more personal underneath. And unlike several of her fellow competitors, she arrives with a completely clean slate: Global Music 245 will mark Oria’s debut in the contest.

Her first Global Music adventure now begins under the French colours, as Oria steps into edition 245 with “Soirée mondaine”.

With its chic title and alluring atmosphere, “Soirée mondaine” plunges into the glittering world of fashionable parties and carefully maintained appearances. Sleek pop production, electronic touches and Oria’s poised vocal delivery give the track a distinctly French sense of cool, while an undercurrent of detachment adds another layer beneath the glamour. Stylish without becoming distant and catchy without losing its personality, “Soirée mondaine” arrives at Global Music 245 dressed for the occasion.

ALBANIA

Ronela Hajati is one of Albania’s most colourful and versatile pop performers, known for combining bold contemporary production with Balkan influences and an unmistakably energetic stage presence. Born in Tirana, she has been a familiar name on the Albanian music scene for many years, with appearances at major festivals including Kënga Magjike and Festivali i Këngës. Her victory at the latter with “Sekret” took her to Eurovision in 2022. Global Music knows her well too: this will be Ronela’s fourth appearance in the contest, with 22nd place remaining her best result so far.

Joining her is Capital T, one of the leading names in the Albanian-speaking urban music scene. Hailing from Pristina, Kosovo, he has built a successful career through a blend of hip-hop, rap and melodic pop. He is also making a Global Music return, having previously competed once without reaching the final.

This time, two familiar faces are combining their forces: Ronela Hajati and Capital T will carry the Albanian flag together at Global Music 245 with “Koishii”.

Released in 2026, “Koishii” brings Ronela’s melodic pop instincts together with Capital T’s urban edge in a sleek, modern collaboration. The track mixes pop and contemporary Balkan urban sounds with a warm, summery pulse, while the contrasting personalities of its two performers give the song much of its character. Catchy, confident and effortlessly rhythmic, “Koishii” gives both artists another shot at improving their Global Music fortunes.